Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.

Damian Jurt belongs to a generation that considers the role of the curator to be broad and varied. His curatorial approach consists in proposing institutional situations in which the multidisciplinary dimension of socio-critical art can intervene. This concept flows into exhibitions, texts, books, talks and lectures. He has curated exhibitions of works by artists such as Korbinian Aigner, Julius von Bismarck, Ludovica Carbotta, Kemang Wa Lehulere, Céline Condorelli, Vito Acconci, Andriu Deplazes, Aernout Mik, Yuri Ancarani, Wolfgang Laib, Donatella Bernardi, Julian Rosefeldt, Mariam Cahn, Michael Sailstorfer, Maria Serebriakova, Delphine Reist or Roland Roos.